Shake, Rattle And Roll

Stone played around with various phrases before coming up with "shake, rattle and roll". The saxophone solo was by Sam "The Man" Taylor. The song, in its original incarnation, is highly sexual. The chorus used "shake, rattle and roll" to refer to boisterous intercourse, in the same way that the words "rock and roll" were first used by numerous rhythm and blues singers, starting with Trixie Smith 's "My Man Rocks Me With One Steady Roll " in , and continuing on prominently through the s and s.

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Stone stated that the line about "a one-eyed cat peepin' in a seafood store" was suggested to him by Atlantic session drummer Sam "Baby" Lovett, which is also a sly sexual reference, the "one-eyed cat" being the male organ and the more traditional "seafood" reference being the female organ. It is known that Danny Cedrone , a session musician who frequently worked for Haley, played lead guitar, but there is controversy over who played drums.

Music reference books indicate that it was Panama Francis , a noted jazz drummer who worked with Haley's producer, Milt Gabler , however in a letter written in the early s, Gabler denied this and said the drummer was Billy Gussak.

Bill Haley's own stage drummer, Dick Richards, did not play on this record but may have provided backing vocals since he participated in the recording of the song's B-side , "A. This was Cedrone's final recording session as he died only ten days later.

Haley's version was released in August and reached 7 on the Billboard pop chart, spending a total of twenty-seven weeks in the Top With NBC a lot of race records wouldn't get played because of the lyrics. Haley had started his career in country music while Turner was a blues shouter. Comparing the two versions illustrates the differences between blues and rock 'n' roll. A simple, stark instrumental backing is heard on the Turner version. Where Turner's version uses a walking bass line, the Comets version, produced by Milt Gabler of Decca Records, features an energetic slap bass.

A subdued horn arrangement in the Turner recording can be contrasted with a honking sax riff that answers each line of verse in Haley's version, and the entire band shouts "Go! Listeners who heard Haley's version sought out Turner's.

The two men became close friends, and performed on tour together in Australia in In , at a time when Turner's career was at a low ebb, Haley arranged for his Comets to back the elder musician for a series of recordings in Mexico , although apparently Haley and Turner did not record a duet version of "Shake, Rattle and Roll".

In Turner's version, the girl is ordered to "get out of that bed"; Haley changes it "get out in that kitchen", nonetheless, in his version she is directed to "roll my breakfast cause I'm a hungry man". In other words, she has spent the night with the singer in both versions. When Joe Turner performed the song in the film Rock 'n' Roll Revue , he chose to sing the Bill Haley version of the opening verse.

Both versions sold over one million copies, making "Shake, Rattle and Roll" the first giant rock 'n' roll hit.

Get outta that bed, wash your face and hands Get outta that bed, wash your face and hands Well, you get in that kitchen, make some noise with the pots 'n pans Way you wear those dresses, the sun comes shinin' through Way you wear those dresses, the sun comes shinin' through I can't believe my eyes, all that mess belongs to you I believe to the soul you're the devil and now I know I believe to the soul you're the devil and now I know Well, the more I work, the faster my money goes I said shake, rattle and roll, shake, rattle and roll Shake, rattle and roll, shake, rattle and roll Well, you won't do right to save your doggone soul Yeah, blow Joe!

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{REPLACEMENT-(Зайцев.нет)-(web-climat.ru)}The album, which was issued in a inch format, consisted of recordings previously issued on singles in and , including the title track , and " Rock Around the Clock ", although at the time of this album's release in early , "Rock Around the Clock" had not yet become a major hit. This was Haley's second album, and was one of the first album-length releases of the rock and roll era, predating the release of Elvis Presley 's first album by a year. All the tracks on the album were produced by noted Decca producer Milt Gabler.

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