The Emperor's New Clothes

Опубликовано16.11.2018 в 06:39АвторGakus






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Plot A vain emperor who cares about nothing except wearing and displaying clothes hires weavers who promise him they will make him the best suit of clothes.

The weavers are con-men who convince the emperor they are using a fine fabric invisible to anyone who is either unfit for his position or "hopelessly stupid".

The con lies in that the weavers are actually only pretending to manufacture the clothes; they are making make-believe clothes which they mime. Thus, no one, not even the emperor nor his ministers can see the alleged "clothes", but pretend that they can for fear of appearing unfit for their positions, and the emperor does the same. Finally, the weavers report that the suit is finished, they mime dressing him, and the emperor marches in procession before his subjects.

The townsfolk uncomfortably go along with the pretense, not wanting to appear unfit for their positions or stupid.

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Then, a child in the crowd, too young to understand the desirability of keeping up the pretense, blurts out that the emperor is wearing nothing at all, and the cry is taken up by others.

The emperor realizes the assertion is true but continues the procession. Sources a medieval Spanish collection of fifty-one cautionary tales with various sources such as Aesop and other classical writers and Persian folktales, by Juan Manuel, Prince of Villena — Andersen did not know the Spanish original but read the tale in a German translation, titled "So ist der Lauf der Welt".

When the king is supposedly wearing the garment, his whole court pretends to admire it. The king is then paraded about his city to show off the garment; when the common folk ask him if he has become a naked ascetic , he realizes the deception, but the swindler has already fled.

Reitzel in Copenhagen, as the third and final installment of the first collection of Andersen's Fairy Tales Told for Children. The first two booklets of the collection were published in May and December , and met with little critical enthusiasm. Andersen's tales eventually became a part of the repertoire, and readings of "The Emperor's New Clothes" became a specialty of and a big hit for the popular Danish actor Ludvig Phister.

Tired by speaking various foreign languages and on the verge of vomiting after days of feasting, the author managed to control his body and read aloud " The Princess and the Pea ", "Little Ida's Flowers", and "The Emperor's New Clothes". The Misunderstood Storyteller, suggests that seeing is presented in the tale as the courage of one's convictions; Zipes believe this is the reason the story is popular with children.

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Sight becomes insight, which, in turn, prompts action. The Fan Dancer, claims that Andersen received a gift of a ruby and diamond ring from the king after publications of "The Emperor's New Clothes" and " The Swineherd "—tales in which Andersen voices a satirical disrespect for the court. Prince suggests the ring was an attempt to curb Andersen's sudden bent for political satire by bringing him into the royal fold. She points out that after " The Swineherd ", he never again wrote a tale colored with political satire, but, within months of the gift, began composing " The Ugly Duckling ", a tale about a bird born in a henyard who, after a lifetime of misery, matures into a swan, "one of those royal birds".

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The Life of a Storyteller, biographer Jackie Wullschlager points out that Andersen was not only a successful adapter of existing lore and literary material, such as the Spanish source tale for "The Emperor's New Clothes", but was equally competent at creating new material that entered the human collective consciousness with the same mythic power as ancient, anonymous lore. In The Annotated Hans Christian Andersen , folk and fairy tale researcher Maria Tatar offers a scholarly investigation and analysis of the story, drawing on Robbins' political and sociological analysis of the tale.

Tatar points out that Robbins indicates the swindling weavers are simply insisting that "the value of their labor be recognized apart from its material embodiment" and notes that Robbins considers the ability of some in the tale to see the invisible cloth as "a successful enchantment".

Historically, the tale established Andersen's reputation as a children's author whose stories actually imparted lessons of value for his juvenile audience, and "romanticized" children by "investing them with the courage to challenge authority and to speak truth to power.

Its beauty, however, is obscured at the end of the tale with the obligatory moral message for children. Tatar is left wondering if the real value of the tale is the creation of the wonderful fabric in the reader's imagination or the tale's closing message of speaking truth no matter how humiliating to the recipient.

Naomi Wood of Kansas State University challenges Robbins' reading, arguing that before the World Trade Center attacks of , "Robbins's argument might seem merely playful, anti-intuitive, and provocative.

Plot A vain emperor who cares about nothing except wearing and displaying clothes hires weavers who promise him they will make him the best suit of clothes.


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